FOR ALL TIME AND BEYOND TIME

IMG_3013The phrases still echo in my ears and rattle around my brain.

After innumerable dozy hours of class time, my hand mechanically raising and lowering to answer questions for perfunctory pats on the head, having written essay upon essay upon essay, there are really only two phrases that I recall from school.

“We are all creatures of habit.” “Crowds are always potentially dangerous.”

That is all. That is it. And it’s absolutely cringe worthy that these jewels of wisdom are fished from the maelstrom of 8th grade, compliments of Mr. Wepman’s psychology elective held in the cinder blocked glory of Warner Junior High School. But there you have it.

Mr. Wepman had noted that each of us chose the same seats in his classroom day after day. He challenged us to sit somewhere else. We tried. It was awkward and uncomfortable. Even unnerving. We wanted our seats back. Most of that lesson is a blur, but that one part remains quite clear: some of us, maybe even all of us, grasp for safety in the rubric of routine.

*The coffee poured into the same chipped mug every morning.

*The parking space at the grocery store we gravitate to every single time.

*The tattered shirt we wear when we feel a bit hollow or need to feel lucky.

*The egg and toast placed just so on our breakfast plates.

*The path we walk from the train to the office.

*The seat we choose in the theatre.

*The song we play over and over.

 The bell clanged and we struggled out of our seats. “Remember,” he said as we prepared to throw ourselves into swirling mass of kids rushing through the hallways, “be careful out there. Crowds are always potentially dangerous.”

And so they are. From junior high school hallways to the streets of our greatest cities.

We’re told that the world, and all it’s limitless potential, spreads before us like a blanket shaken out on the soft grass before a picnic. It’s vast and thrilling, and there just for us. How can we not embrace it, take as full advantage of all it’s excitement and possibilities? To turn inward, to curl into a protective shell like a sow bug is to go nowhere, to do nothing, to wither. But we are attuned and aware always. To live life afraid is not to live. We need to live in the world. The world needs us to live in it.

In my dreams there is some magnificent, unknowable force in the world that continues to protect those we love and care for from crowds and from dangers. I hope that it’s so. And for those for whom protection lapses, it’s my fervent hope that somehow, somewhere they are cared for and comforted and beloved for all time and beyond time.

 

 

 

TAKE FLIGHT

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1920

She was tiny and dark, lithe and nimble. An effervescent stream of seltzer, shot right from the bottle.

The story, as I heard it, was this: that once upon a time, Little Gram, our grandmother Ann Venitsky Chudler, was our own Superman, able to “leap tall buildings in a single bound.”

Well, perhaps not quite. But long ago in raucous games of tag played wild and free on the flat city rooftops, she was an elusive sprite, leaping away from the outstretched hands of her playmates, so fearless that she could escape a tag by literally leaping over the gaps between the buildings.

Our grandmother could fly.

***

1970

Really, no one ever knew where we were.   How extraordinarily wonderful was that?

Equipped with red rubber schoolyard balls and a few plastic jump ropes, afternoons after school we were out and about in the neighborhood, roaming around making up games to play. We lived where flat tracts of land were fast being crammed with Lego like constructions as builders raced from quarter acre to quarter acre.

The rules were that weren’t any rules. So the half constructed houses in our neighborhood became our playground. Games of intrigue, games of tag, we ran up and down the half finished stairs, tumbled through open windows, perched casually and coolly on rooftops. And most memorably, once on a dare I leapt from an upper floor balcony into the soft dirt below. I know all about Galileo’s experiment from the tower of Pisa. Science confirms that I fell hard and fast. But then and now I thought I lingered in the air. I was floating, I was flying.

***

1950

For our Grandmother, the games of tag are a memory. Around her swirls a hive of activity, husband, children, sisters and family revolve around her center. There is always something to do, someone who needs something.   She does it. Tied firmly into an apron she makes porcupine meatballs, ethereal lemon meringue pies. No one ever made a bed better. She grows tough and hearty roses that reach toward the sky. Our grandmother’s tiny feet are now closed into perilously high heels, her feet firmly planted on the ground.

But are they really? Often and always, those tiny high-heeled feet trod a path back and forth to the local library. Curled in an armchair late at night she reads and reads and reads.  Alone and in the quiet, there are times she is sure that she is flying.

***

NOW

We face off on an overcast fall afternoon, my middle schoolers and I. They sit; some slumped, some squirmy at their desks. I sit, trying not to slump or squirm, facing them at mine. They are tired and tense. Maybe I am too. For today then, maybe just for today, the lesson becomes looser, more fluid.

I ask them to take out paper and pencils. I want them to draw.  They do. I open a book and begin to read. The room is completely quiet and calm, save for the scratch of pencils on paper and the rise and fall of my voice.

“Something above was calling him imperiously, and he made for the steep little tunnel which answered in his case to the graveled carriage drive owned by animals whose residences are nearer to the sun and air. So then he scrooged again and scrabbled and scratched and scraped, working busily with his little paws and muttering to himself, “Up we go! Up we go!” till at last, pop! His snout came out into the sunlight and he found himself rolling in the warm grass of a great meadow.”

Kenneth Grahame, Chapter 1,  The Wind in the Willows

After a time, the bell rings of course. It always does. We shake ourselves and start to move, tentatively, awkwardly, as if waking from a dream. “You know,” said one of the girls said as we were packing up, “That was so nice I almost felt as if I was floating.” I felt the same.

There are so many ways to fly. How wonderful that our Grandmother knew that too.

SHAPED MEMORIES AND A SWEET NEW YEAR

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I’ve long been envious of the verbal snapshots that the great diarists of the past such as Samuel Pepys or Winston Churchill. With a key observation, a pithy phrase, a few jotted words, they punctuated their lives in ink. I’ve always been amazed at how terse many of these daily observations are. Not verbose. Not show offy. Just a scattering of words that serve as bread-crumbed path to memory.

I was thinking about this, thinking about so many things really, as I drove drone-like along the highway, having once again helped set the year in motion, having sent everyone off to school once again. I miss them. I want so much to remember. I’m frightened that I won’t remember. I fret.

But remembering should be easy, shouldn’t it? With the touch of a button I can snap off a dozen photos, with another swipe I can organize and categorize them. With a final fillip I can even swirl them into a Sundance quality montage. The funny thing is, I don’t do this. I don’t really want to.

September is always a pull up your socks kind of a month.   New shoes, new teachers, new ideas, new beginnings. Moving forward, there is always the pull of the past, the fear of forgetting where you came from, from what brought you to this point to get you where you’re going.

I’ve stopped trying to remember everything. That’s overwhelming, impossible. But there is another way. Memory for me has become kaleidoscopic, ever shifting, always responsive to another twist of the dial. I sieve my memories, washing away the dross. It’s true there are gaps. It’s true my thoughts often aren’t always linear. Instead my memories are responsive to where I am and to what I’m doing. They’re malleable. To crystallize them, freeze them wouldn’t work for me. Because for me, memory isn’t a trip to the past so much as a path to the present.

So while I do take and keep photographs of those I care for they’re not the first place I look when I want to stir memories. Instead I’ll conjure images that are for me far more evocative and powerful.

  • Miniature cacti plants in an apartment window
  • A trio of tiny socks
  • Double scoop of Superman ice cream
  • A box of Lucky Charms.
  • A bottle of coke and a stack of Hydrox
  • Double- breasted pinstriped suits
  • A green-striped rugby shirt
  • A Charles Culver camel
  • “Bow-ties are cool.”
  • The elusive Charizard
  • The Strand
  • “Come, you Game Boys!”
  • Piles of Pocket DKs
  • “Just a slice” of pumpkin pie
  • Tins of Mandelbrot
  • Pizza Bob’s
  • A Double-Tiered, handmade, backyard fort
  • A deep green GTO
  • “Breathe”
  • A pint of Haagen-Dazs, a dishtowel, a spoon
  • Sunglasses inside
  • A giant bowl of cherries

The swirling thoughts that are stirred bring all of these people closest to me vividly back once again. These images are my rubric, my guideposts. To think in images keeps memory alive, not pasted into a scrapbook. It’s a brave and thrilling thing to do. It’s worth it to give yourself the pleasure of crafting memory instead of grasping for it.

The great diarists left themselves a map to recreating memory. I try to do the same. What a gift, what a joy! Once again my mind returns to the magical Richard Jeffries who said in The Story of My Heart,

“Full to the brim of the wondrous past, I felt the wondrous present!”

And that is just how I want to feel, how I hope everyone feels, as we once again sweep into the brace of September and onward to a sweet new year.

WITH LOVE AND AFFECTION

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Every morning it’s the same.

An over easy egg, a slice of Tuscan Pane, a squiggle of olive oil, a twist of salt and another of pepper. An entire pot of French press coffee doled out half a cup at a time. It has to be drunk very hot. Always the same diner cup.

30 years – over 10,000 eggs.

A sweep second hand watch belted to my right wrist, and rolled inward, just like my Dad. We are both left-handed. Our watches are timed to the second. Eyeglasses are polished and secured firmly around my ears. I sleep in my glasses. Every night. It doesn’t matter that in the dark there is nothing to see. But in daytime, when the sights around me become too harsh, sometimes I’ll take my glasses off for a few moments and let the hard edges of the world blur into gentle softness.

Flaubert said, “Be regular and orderly in your life like a bourgeois, so that you can be violent and original in your work.” Aside from the fact that I take issue with Flaubert’s somewhat patronizing view of the bourgeoisie, I clearly have embraced the “regular and ordinary.” For me, an egg and a perfectly timed watch are both touchstones and a rubric for the day, armor to protect myself from the unknown events that will surely come to pass. As for “violent and original,” even the word “violent” makes me tense. And I do find originality a bit of a fuzzy concept. I prefer to think that creation is something that is always enriched and textured by links to thought that both precedes and often surrounds creators. Maybe that’s why so many people who are so celebrated for originality feel as if they’re frauds. They’re not frauds—they simply are attuned enough to be part of the process.

But to return to the idea of “regular and ordinary” rhythms as a thrum through our days. Every so often there’s hard driving, guilt inducing article lashed out to the world on the steady, regular daily schedules and habits of either highly successful people or downright geniuses or more likely an envy-inducing combination thereof.

These are very Flaubert-like humans:  They wake early, go for long, bracing walks in all weathers, eat sparingly. Not to be overly critical but it’s rare to note that they rarely seem to spend their quality waking hours on little mundanities such as grocery shopping, house cleaning, cooking, and childcare.   I will be honest: I actually like the mundanities,  (I am a bourgeois to my soul, Flaubert!) I embrace them. There’s a fine sense of completion when I manage to fold a mountain of laundry or wrestle a mass of disparate ingredients into an edible dinner.

These small adventures are not for the faint of heart nor are they for everyone. But do I kind of like the thought of Dickens ambling through Target, Beethoven comparing jars of marinara at Trader Joe’s or Flaubert violently shoving a vacuum cleaner around the living room.

The order of my life does two things for me: it allows me pockets of calm. And gives me the possibility of safety.

I desperately need both. Genius or not, don’t we all?

I’m prepared then as well as I can be for real hurts, even the awfulest ones, where you lose a much loved companion. It happens. Of course it does. That carefully constructed structure, my egg, my watch, my grocery shopping, my rhythms, my whatever, is put in place to guard against inevitable pain. There is always happiness too, I revel in it, but I am always prepared for anything else. In this case, “anything else” will happen here soon.

And so in my pockets of calm I smile and remember. I think about one who really knows how to appreciate a good deep sleep. One whose generous heart has welcomed a lot of competition onto his beloved home turf.   One who (almost) uncomplainingly shares all the choice cuts as long as he is always is served first and rather fittingly gets the lion’s share. One who has managed to make all of us certain—in a million little ways– that we are each deeply loved. We adore him. He’s done good.

I don’t know for sure about Heaven. I cling to the idea of the Rainbow Bridge. I want so much to believe in both. All I know for sure is that memory is a powerful thing, a beautiful thing, an amazing thing that can and should infuse and enrich each and every day.

Okay enough. It’s funny. You never know where any conversation will lead you. I was comparing favorite Twilight Zone episodes with one of my sons recently. I’ll save my list of classics for another time. But he mentioned one of his favorites as Nothing in the Dark, starring a very young Robert Redford. The episode concerns an old woman who is terrified of dying. It’s never fair to spoil a Twilight Zone episode and I’m not about to do that here. But he did remind me of a key line from the show.  “What you thought was the end is the beginning.”

I hope that’s true for Big Nick when his time comes. I hope it’s true for all of us.  True for all those we cherish.

With love and affection, Big Buddy.